Drawing is an essential aspect of my practice.

I use drawing to work out and refine ideas, often in sketch books.

I use drawing to invigorate prints and paintings that are lacking in their primary state, working into images that feel unresolved

Enhancing and enriching proof prints with drawing and painting. 

Embellishing drawings and paintings by overprinting, often with lino printed images and sometimes using monotype or etching.

If required or if the impulse takes me, I might work back into these combinations with further processes.

All of these hybrid combinations I collectively refer to as drawings

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